Ruth Orkin (1921 – 1985) was an award-winning photojournalist and filmmaker. She grew up in Hollywood in the heyday of the 1920s and 1930s. At the age of 10, she received her first camera, a 39 cent Univex. She began by photographing her friends and teachers at school. At 17 years old she took a monumental bicycle trip across the United States from Los Angeles to New York City to see the 1939 World’s Fair, and she photographed along the way. Orkin moved to New York in 1943, where she worked as a nightclub photographer and shot baby pictures by day to buy her first professional camera. She worked for all the major magazines in 1940s, and also went to Tanglewood during the summers to shoot rehearsals. She ended up with many of the worlds’ greatest musicians of the time including Leonard Bernstein, Isaac Stern, Aaron Copland and many others.
In 1951, LIFE magazine sent her to Israel with the Israeli Philharmonic. Orkin then went to Italy, and it was in Florence where she met Nina Lee Craig, an art student and fellow American, who became the subject of “American Girl in Italy.” The photograph was part of a series originally titled “Don’t Be Afraid to Travel Alone” about what they encountered as women traveling alone in Europe after the war.
On her return to New York, Orkin married the photographer and filmmaker Morris Engel. Together they produced two feature films, including the classic “Little Fugitive” which was nominated for an Academy Award in 1953. From their New York apartment overlooking Central Park, Orkin photographed marathons, parades, concerts, demonstrations, and the beauty of the changing seasons. These photographs were the subject of two widely acclaimed books, “A World Through My Window” and “More Pictures From My Window.” After a long struggle with cancer, Orkin passed away in her apartment, surrounded by her wonderful legacy of photographs with the view of Central Park outside her window.
This iconic photo was the result of a superb collaboration between two American young women each traveling solo across war torn Europe in 1951. Ruth Orkin and Jinx Allen serendipitously ran into each other in a cheap hostel overlooking the Arno in Florence, and in her widely-acclaimed photoessay, “Don’t be Afraid to Travel Alone” , Orkin photographed Jinx Allen shopping in the markets, crossing traffic, riding a carriage and flirting at a cafe. But the most famous was the above photo; it was taken at 10:30 a.m., the street was packed with loitering men because work was scarce and unemployment high in post-war Italy. While the contact sheet began at its eighth frame, they show that Orkin indeed took only two versions of her famous photo. Some may have thought it was staged as the image is so perfect in it’s composition and timing ( as Bresson said the “decisive moment”) but it was just a perfect moment caught by a master photographer. You can also see from the contact sheets that after those two frames, the man on the Vespa took Jinx Allen for a spin.