From New York to London by Daniella Zalcman

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“A month ago, I moved from New York to London. They’re both places I adore, and (in my opinion) they’re two of the most photogenic cities in the world. So I collected 30 days of iPhone images in the month before I left NYC in the hopes that I could create New York + London double exposures with images taken in my first month here. Below are some of my favorites of the 30 I ended up with.” Daniella Zalcman

A Homage to Every Editor

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Nobody knows what we do… so, a homage to every editor out there in those dark rooms creating art with moving images. insidetheedit.com

Direction, Design, Animation – Dave Penn vimeo.com/sxfngrs
Sound Design – James Locke-Hart jameslockehart.com
Script – Paddy Bird insidetheedit.com

A Different Side by Seph Lawless

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Ohio-based photographer Seph Lawless has documented two abandoned malls which were once gleaming symbols of the US’s booming economy. Originally built in the 1970s, the spookily deserted shopping centres – Rolling Acres and and Randall Park Mall – once employed close to 5,000 staff. “The goal was to show the world a different side of America. A vulnerable side,” said Lawless. “I think an abandoned mall is symbolic of the economic decline of America and is a true indication of what happens when cities like Cleveland suffers massive population loss due to loss of manufacturing jobs. Cleveland has lost nearly half its population since these malls opened in the mid 1970.”

Ethereal Landscapes by Darren Moore

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Self-taught photographer Darren Moore creates ethereal black and white landscapes using a method called daytime long exposure, where a special filters are attached to a camera lens to reduce the amount of light. These neutral density filters allow for the shutter to open for extended periods of time in broad daylight, from 30 seconds to upward of 15 minutes for a single exposure. Moore shoots mostly in locations around England, where he frequently visits causeways, breakwaters, shipwrecks, and other features along the shore. You can see more of Moore’s photography over on Flickr and in his online gallery.

Blurry and Ambiguous by Jonathan van Smit

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“I spent a few days simply walking the back streets of central Phnom Penh, taking lots of photos as I usually do, and one day plucked up enough courage to speak to Phouk, a girl who worked a corner where a slum alley led onto Street 51 which is a notorious red light area full of girlie bars and clubs. She spoke good English, and was quite happy for me to take photos provided that I gave her money so she could get her teeth fixed. I explained that I wanted photos related to drug use and also her work, and we arranged to meet the next day. The next day, Phouk introduced me to her friend, and took me to their room which was a small plywood shack reached by a ladder on top of the slum shanty buildings. I eventually did two photo sessions with them. I wanted a blurry, ambiguous nude photo and some that were more explicit about drug taking. Both the girls must have been beautiful once but drugs, poverty and their work have taken their toll. They smoke the local cheap methamphetamine ‘yama’ to cope and sometimes mix it with heroin.” Jonathan van Smit Read the full interview at l1ghtb1tes.com and don’t miss Jonathan’s Flikr page

Beautiful Girls and Homeless by Tatsuo Suzuki

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Beautiful girls and homeless, these seem to be the favorite subjects of Tatsuo Suzuki, street photographer from tokio, judging from the looks in the camera of his models you might say that he doesn’t just steal few shots while walking, but it gets in touch with most of them.

 

Body Surface by Luca Pierro

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“The people who see my work think they are photoshoped. Actually, they are not. I try to reach the effects, textures and lights with the least amount of manipulation as possible so I use a lot of materials like flour, milk, water and other. For the lighting, I usually use a single flash with an umbrella reflector. The intention is to express a micro and macro cosmos where the figure of the artist can forcefully enter onto the scene. My figure represents a man, “the man,” involved with materials. All the elements that can lead back to “Mother Earth.” In this way, the body becomes the vehicle of expression. The traceability of the material used on the body surface is important for me. Equally important are the light and dark. The contrast between these two elements evokes the struggle between life and death.” Luca Pierro