Burning Man by Victor Habchy

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Fascinated by the legendary festival of the Burning Man, the Paris-based colorblind photographer Victor Habchy crowfunded his travel to Arizona to bring us back memories captured in time, of this eerie and fascinating gathering. Each year, for a single week, thousands of free-minded people and curious persons from all over the planet build from scratch an entire town in the Black Rock desert, a white land burnt by sun and softened by sand. They create gigantic wood installations, whimsical sculptures, wear costumes and accessories borrowed from circus, childhood and dreams or just express their philosophy with nudity and free love. At the end of the week, their creations are symbolically burned. Victor Habchy joined the hippy-like community this year, sleeping under a tent, without electricity or water and experiencing the harsh weather conditions. But the result of his stay is a breathtaking series of photographs that seem out of this world, and perfectly capture the magic soul of the festival.

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Ebola by Kieran Kesner

IMG_2543_1200“Where are they burning the bodies?” My driver yells out the car window to a young boy balancing a basket full of rags and tattered clothes on his head. It’s questions like this that seem to be the norm here in Liberia. Since March, an outbreak of Ebola has swept through the country killing over 1,200 people (as of September 2014).  On August 27, 2014 I boarded Delta airlines flight 2608 for my first international assignment for The Wall Street Journal. After four layovers, I arrived at the airport in Liberia.The plane came to a rough landing…. keep reading on Kieran Kesner’s website.

Daughters of the King by Federica Valabrega

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Camera
Canon EOS 5D Mark II
Focal Length
24mm
Aperture
f/9
Exposure
1/100s
ISO
400
Camera
Canon EOS 5D Mark II
Focal Length
24mm
Aperture
f/9
Exposure
1/100s
ISO
400

“For some people, if you’re religious, you’re ugly,” says Federica Valabrega, an Italian photographer who for the past four years has been documenting Jewish women across the world. Her fascination with these “Daughters of the King,” as she calls them, comes from her own religious background. “My mother isn’t Jewish, but my dad is and so is his mother and all of his family. When I was born in Rome, the chief rabbi back in 1983 accepted to convert [to Judaism] kids from mixed [religious] marriages, so my sisters and I did it.”    Read the full story here or visit Federica Valabrega website.

Rainy Cityscapes by Eduard Gordeev

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Eduard Gordeev is a talented photographer based in St. Petersburg, Russia who captured a series of artistic photos of rainy cityscape. The resulting images are atmospheric and impressive with a bit of effect of acrylic paintings. The urban streets seem drenched in rain and mystery.

New York City Above as Below by Alex Teuscher

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“All these shots were taken pretty much following the usual tourist trail in Manhattan… the locations along that trail are iconic for a reason. I wanted to present them differently however, like the Chrysler and Empire state buildings in different compositions than they are usually seen in. I also wanted black and white, to really simplify and make it about light, contrast and strength of composition (to varying degrees of success if I must be honest) in the street scenes below and in the architecture above.” Alex Teuscher

Pacification by Rafael Fabrés

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Spanish photographer Rafael Fabrés has been following law enforcement around Rio in preparation for the Rio de Janiero 2016 Olympics, capturing their efforts to clean up the city. The operation takes place in three parts: first the military comes into the favelas and rids them of gun carrying traffickers who operate in the open, then riot police stay in the area for a week while a local police force is established. With one fifth of the population living in slums or favelas, and these favelas often being controlled by gangs and drug traffickers, it seems that the drug trade in Brazil is a problem with no answer.

Desert Realty by Ed Freeman

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His architectural series, Desert Realty, sees Ed Freeman take dilapidated motels, trailers, fast food outlets and other buildings and using Photoshop, places them in the middle of the desert. The manipulation and touch ups gives the images a heightened sense of isolation and abandonment.