Ebola by Kieran Kesner

IMG_2543_1200“Where are they burning the bodies?” My driver yells out the car window to a young boy balancing a basket full of rags and tattered clothes on his head. It’s questions like this that seem to be the norm here in Liberia. Since March, an outbreak of Ebola has swept through the country killing over 1,200 people (as of September 2014).  On August 27, 2014 I boarded Delta airlines flight 2608 for my first international assignment for The Wall Street Journal. After four layovers, I arrived at the airport in Liberia.The plane came to a rough landing…. keep reading on Kieran Kesner’s website.

Collapsing Ruins by Johnny Joo

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At the age of 16, I started to explore various areas around where I lived and quickly grew to love what I would find on explorations, whether it was through nature or abandoned structures. I shortly after began to capture the world around me, the things I see and how I see them. I wanted to share with people these beautiful places as well as I can, and through a lens was how I could shape these visions. On the side of everything else I have loved to photograph, around the age of 16 I  became intrigued with urban exploration upon the discovery of an abandoned farm house in the city of Kirtland, OH. My mother, step father and myself were on our way to my sisters house when I had spotted it and asked if we could pull into the drive way to check it out. The way the roof was caved in, covered in bright moss attracted my attention. It was beautiful. We pulled into the drive and walked from our car up to the entrance of this falling structure…

Keep reading at Johnny Joo website.

Daughters of the King by Federica Valabrega

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Camera
Canon EOS 5D Mark II
Focal Length
24mm
Aperture
f/9
Exposure
1/100s
ISO
400
Camera
Canon EOS 5D Mark II
Focal Length
24mm
Aperture
f/9
Exposure
1/100s
ISO
400

“For some people, if you’re religious, you’re ugly,” says Federica Valabrega, an Italian photographer who for the past four years has been documenting Jewish women across the world. Her fascination with these “Daughters of the King,” as she calls them, comes from her own religious background. “My mother isn’t Jewish, but my dad is and so is his mother and all of his family. When I was born in Rome, the chief rabbi back in 1983 accepted to convert [to Judaism] kids from mixed [religious] marriages, so my sisters and I did it.”    Read the full story here or visit Federica Valabrega website.

Postcards from Pripyat, Chernobyl by Danny Cooke

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Chernobyl is one of the most interesting and dangerous places I’ve been. The nuclear disaster, which happened in 1986 (the year after I was born), had an effect on so many people, including my family when we lived in Italy. The nuclear dust clouds swept westward towards us. The Italian police went round and threw away all the local produce and my mother rushed out to purchase as much tinned milk as possible to feed me, her infant son. It caused so much distress hundreds of miles away, so I can’t imagine how terrifying it would have been for the hundreds of thousands of Ukrainian citizens who were forced to evacuate. During my stay, I met so many amazing people, one of whom was my guide Yevgen, also known as a ‘Stalker’. We spent the week together exploring Chernobyl and the nearby abandoned city of Pripyat. There was something serene, yet highly disturbing about this place. Time has stood still and there are memories of past happenings floating around us.

Armed with a camera and a dosimeter geiger counter I explored… Danny Cooke

Pacification by Rafael Fabrés

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Spanish photographer Rafael Fabrés has been following law enforcement around Rio in preparation for the Rio de Janiero 2016 Olympics, capturing their efforts to clean up the city. The operation takes place in three parts: first the military comes into the favelas and rids them of gun carrying traffickers who operate in the open, then riot police stay in the area for a week while a local police force is established. With one fifth of the population living in slums or favelas, and these favelas often being controlled by gangs and drug traffickers, it seems that the drug trade in Brazil is a problem with no answer.

The Kingdom of Dust by Matt Black

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Rising from the remnants of what was once a vast inland sea, California’s Central Valley is an agricultural empire unparalleled in the history of the world. Covering an area larger than ten US states, it is home to America’s richest farms and generates close to $20 billion dollars’ worth of fresh food each year, nearly half of the US supply.

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Though this wealth comes from the earth, there is little natural about how it is produced: the Central Valley is a place not so much rural as it is empty-urban — a thoroughly industrialized farm landscape whose once undulating plains have been tractored into table-top flatness, whose streams have been dammed and whose lakes have been drained. Some farms have become so automated that the tractors are piloted by satellite, and some plots are so vast and monotonous that thousands of pollinating bees die each year because they can’t find their way back to their hives. So much water has been pumped from the aquifers that in places the ground has dropped by fifty feet. Most tellingly, the fields are planted, tended and harvested by migrants brought in by the busload: few make more than $10,000 per year, eight out of ten are undocumented, and hardly any know the names of the farmers in whose fields they work.

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From the roots of this unnatural wealth has sprung a dysfunctional society, communities whose chronically high unemployment and generational poverty have fostered social ills more commonly associated with big cities. In tiny towns surrounded by farm fields, drug and alcohol addiction is rampant, teenage pregnancies are among the highest in the nation, crime and gangs are commonplace.Much is revealed by how a society raises its food — the one thing people both pay for and pray over — and the Central Valley tells us much about modern life. A modern rural distopia, it is a landscape at once rich but impoverished, industrialized but rural, inhabited but unsettled: a kingdom, but one made of dust, nourishing millions as it consumes itself. Matt Black.

Innocence by Santu Mondal

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“I love taking pictures and traveling around my city. Child portrait and child activity are my favorite. I love their expression innocence and trying to capture with my cam. Although I am a beginner in photography got my first camera in 2012.” Santu Mondal

Precious by Jane Hilton

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“I hadn’t even thought about prostitution until I walked into a brothel. I was probably very naive, which actually in retrospect did me a favour. I am by nature very non-judgemental, and feel it very important to have experience of a subject matter before making any points of view about it.” “For the last fifteen years I have spent a tot of time getting to know the working girls from the legal houses in Nevada, producing ten documentary films and an exhibition. I know there are some incredible women hidden in these brothels and I wanted to show this.” “So I decided to go back again to make a series of intimate portraits in eleven different brothels across Nevada.”  Jane Hilton

A World Behind the Scene by Mary Ellen Mark

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Since the late 1960s, I have worked on many film sets. Sometimes a magazine assigns me a story but, more often, I am hired by the film studio as what is called a “special stills photographer.” A special stills photographer works on a film set for any number of days or weeks and makes photographs which are used for publicity or advertising. The advertising pictures are for the one-sheet poster–usually, the concept and design of the poster is the work of the advertising art director and the film company, and I collaborate with them very closely to produce what is needed. The publicity photographs are used for magazine covers and stories. I make some portraits of actors in the studio, but most often they are taken behind the scenes, which has always been one of my preferred ways of working, especially in a surreal atmosphere like that of a film set. Mary Ellen Mark

Tempted by Poetry by Raymond Depardon

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Raymond Depardon, born in France in 1942, began taking photographs on his family farm in Garet at the age of 12. Apprenticed to a photographer-optician in Villefranche-sur-Saône, he left for Paris in 1958 He joined the Dalmas agency in Paris in 1960 as a reporter, and in 1966 he co-founded the Gamma agency, reporting from all over the world. In 1978 Depardon joined Magnum and continued his reportage work. Depardon has made eighteen feature-length films and published forty-seven books.

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I’m coming from journalism, but at the same time I’m tempted by poetry, politics, and maybe the idea of being a witness, a belief that you can still change things with the image.”  Raymond Depardon

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